Erndl demonstrates how this mythic cycle juxtaposes the conflicting photos on the goddess: seemingly chaste and benign in the public Vaiṣṇava pilgrimage cult and bloodthirsty from the remaining-handed tantricism exemplified by her would-be rapist Bhairava-nātha. however, anti-corporate musicology doesn’t pay out the expenditures! I put just as much into these https://www.youtube.com/@Goldiemadanji